How Hard Can It Be to Write a Dual-Timeline Novel?
If you're on my email list or following me on social media, you've already heard me going on about dual-timeline novels, about how much I love to read them and marvel at the skill it takes to write one. Where is all this coming from? I think two places: 1. Discovering...












Huh. I adore “Beard After Hours”; it’s one of the reasons I love the whole series. It did not confuse me either. I think the series would be reduced to a balanced confection without it. Yes, it’s not necessary, not in terms of plot, but it shows the real danger of straying from duty, and duty is a theme in Ted Lasso. So is love. “Beard After Hours” is also about love and self-acceptance. So, in terms of themes, this episode blends with the rest, but it also adds a darkness that Ted, in fact no other character, would invite, except maybe Nate. It expands the spectrum of the show. It also develops the characters of the fans. The embrace of the fans, as in the actual community around AFC Wrexham, suits Ted Lasso, both as a character and as a series. My husband and daughter all love this episode and found it very memorable, partly because it stands alone. It hits like a palate cleanser too and expresses the grief at the loss of the game, providing a low, low note, but with the usual Ted Lasso redemption. I think it’s gorgeous and whole and yet integrates nicely into the series. It provides enlivening contrast and supports the themes. One more thing I just realized: Rebecca’s tale in Akufo’s meeting, the one about Rupert sneaking in, wouldn’t have as much impact if we hadn’t seen that entrance used by the fans. The reverberation of their joy to arrive on the field deepens that moment.